I'll be honest, I don't often listen to Dermot O'Leary's Radio 2 show, but something tells me that fate bought me & Dermot together last week when he had new boy Marcus Foster (pictured, below) on his show performing a couple of tracks. Randomly tuning into Radio 2 and being instantly drawn to the voice, I did a bit of investigating to find out who he was, and exactly a week later I was sat in the most intimate gig I've ever been to, discovering two amazing talents that I'm so glad didn't pass me by.
London boy Marcus Foster is currently on tour supporting Northern Ireland's Foy Vance (pictured, above) and I was lucky to catch the two of them in a small room above a random pub in Cambridge. Having only heard of both artists just one week before, it hadn't taken me long to download Foy's album and Marcus' EP - and I was already addicted. It's not often that an artist can interest me so quickly, and to have two that impressed me enough to be desperate to see them live made me think I was onto something pretty special - and I wasn't remotely wrong!
A darkened room with small candles on tables and a few rows of chairs set a perfect scene for the gig, with a maximum of around 60 people taking their places, some of us lucky enough to be just two feet from the "stage" area. After a fantastic introduction about what a talent he is, Marcus Foster took to the stage armed with nothing but his acoustic guitar and his mic. From the first line of his first song, the crowd were mesmerised. His raw gravely vocal is punctuated with vulnerability as he plays his way through his impressive collection of songs, stopping briefly between to shyly comment on how intimate the gig is.
An awesome version of his current single, 'Rushes & Reeds' is a perfect advert for Marcus' talent and range, but by far, the tracks from EP 'Tumble Down' are the stand out songs, particularly 'Tumble Down' itself. Set closer 'Shadows of the City is Marcus at his best - an almost eerie start kicks into a frenzied up-tempo number, Marcus completely losing himself in the song, ignoring the fact that just a tiny amount of people are watching his every move so closely - literally!
Source.